Over on the Piper at the Gates of Fantasy website I’ve reviewed the new novel by James Brogden, Hekla’sChildren:
Quite simply, I fell in love with this novel almost instantly. I admit some may think I’m somewhat biased: I’ve known James Brogden for many years and have included some of his short stories in the magazines I edited for the British Fantasy Society, as well as publishing a collection of his finely crafted short stories (Evocations, The Alchemy Press). However, and trust me in this, if I hadn’t enjoyed Hekla’s Children I wouldn’t have read it so quickly and thus you wouldn’t be reading this review.
Pop over to Piper to read the full review and then buy, read and savour this fabulous novel.
Many novels, particularly the lengthier multi-volumes in the fantasy field, are packed with characters, some major, some minor, others appearing so intermittently that they can be easily forgotten. Many readers will remember a full cast list with no problem; or they simply go with the flow and, especially with a well-written story that has an engaging narrative, hardly ever need to check the list of characters, or dramatis personae . Nevertheless, having something that can be referred to when you’re unsure just who is who can be invaluable. Think Lord of the Rings or Game of Thrones and you can see what I mean. Or you may be reading mainstream or crime or any other genre: the arguments for the dramatis personae may still apply.
You can read the full essay over on the Penkhull Press website. Don’t forget when you do: these are guidelines, not rules.
I recently posted a blog on the new Penkhull Press website about maps and their value when writing your novels.
I have read many stories in which the protagonist moves across vast landscapes, through difficult terrains, in unrealistic times, with the minimum of effort. Is it really possible for someone, for example, to track dozens of miles through unfamiliar, dense jungle, lumbered with a backpack, in a few short hours, even at night (unless s/he is a superman/woman, of course)? This contraction of activity/time is a common fault in some fantasy and SF adventures I’ve read.
The essay is meant as general guidelines (rather than rules or a code). You can read the whole piece here.